With playing that is “fierce and lyrical” and works that are “other-worldly” (The Strad) and “evocative” (The New York Times), Jessica is a versatile composer and violist whose passionate musicianship radiates accessibility, generosity, and emotional clarity. Recent premieres of her works include performances by the GRAMMY-winning vocal ensemble Roomful of Teeth, cellist Amanda Gookin for her Forward Music Project at National Sawdust, soprano Melissa Wimbish for her Carnegie Hall debut, Sybarite 5, PUBLIQuartet, NOVUS NY of Trinity Wall Street, and a work for A Far Cry commissioned by the Isabella Gardner Museum in Boston. Upcoming commissions include works for flutist Allison Loggins-Hull for her “Diametrically Composed” project, the Lorelei Ensemble, Sandbox Percussion with vocal duo Two Cities, and for a project with the Historical Performance Program at The Juilliard School.
As a solo performer, Jessica uses a single simple-loop pedal to create a virtuosic orchestral experience with her viola, voice, and hand percussion. Drawing from wide-ranging influences which include Bach, Brahms, Delta blues, Flamenco, Indian Raga, and Appalachian fiddling, Jessica’s music takes audience members on a journey through joy, anxiety, anger, bliss, torment, loneliness and passion. Her solo show has been featured at iconic venues such as BAMcafé and Joe’s Pub in New York City, the Andy Warhol Museum in Pittsburgh, and in Paris at Sunset Sunside. As an educator, she is most passionate about getting young classical musicians off the page to activate their own creativity, improvise, and awaken their own inner composer well before their college years.